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Showing posts with label characters. Show all posts
Showing posts with label characters. Show all posts

Wednesday, August 19, 2009

More Character Notes

by Marsha Ward

Maybe I don't need that byline. I seem to be the Lone Ranger on this blog lately.

Anyway, I'm featuring Clayton Owen over on my character blog, so I thought I'd put my comments here, too.

Clay Owen is next younger than Marie. On his character card, I used a photo of actor Bruce Penhall of televisions's "CHiPs" (1977-1983) . I don't see him around much anymore. He was the World Motorcycle Speedway champion of 1981-82, which predated his '82-'83 role as Officer Bruce Nelson, a cadet in the California Highway Patrol, playing in the lineup topped by Erik Estrada, Robert Pine, and Larry Wilcox. Since CHiPs featured motorcycle officers, I'm sure his motorcycling skill stood him in good stead.

Now you know how long ago I clipped this photo from TV Guide(R).

Anyway, getting back to Clayton Owen, here's when I typed on his character card:

CLAY OWEN
At fifteen, Clay is still too gangly to be handsome, but he has promising features and a mop of crisp blond hair. His eyes are grey. Clay kept the family in meat for a year after James was drafted, is responsible, but when he pops his cork, look out, he is apt to do something rash and unthinking. He plays as hard as he works. In a few years, he will be a major character in the continuing saga of the Owen family.


Well, we'll have to see what surprises Clay will bring to the family's adventures. What do YOU think he's going to do?

Wednesday, August 5, 2009

Character Notes

by Marsha Ward

Many years ago, I typed notes about characters in my Owen Family novels on 3- by 5-inch or 4- by 6-inch index cards. It's pretty illuminating to go back and read those cards and see if anything I wrote remains true now, three novels later.

For example, one of my female characters is the elder daughter in the Owen family, Marie. She was born between James and Clayton, and is five years older than her sister, Julianna. She was first seen in The Man from Shenandoah, and appears in Jessie Bingham's memories in Trail of Storms.

I have two photos on Marie's card. They are both far too old for the real Marie. One is of a female newscaster whose name escapes me, and the other is of an actress whose name I never knew. Ha! I didn't need names for the photos. Their purpose was to provide a general physical description I could visualize and describe as needed.

Here is what I wrote on Marie's character card:

MARIE OWEN
Marie has thick dark hair and a beautiful smile. She loves a good mystery, and is good at ferreting out people's secrets. Her eyes range from hazel to dark brown, according to hertemperament . She enjoys teasing her brothers. Marie is aware of becoming a woman, but has no anxiety to wed. She would love to have several beaus to play off against each other, but will take what comes with a good will. She loves adventure, and looks forward to the trip west with high excitement.


I'm looking forward to getting to know Marie better. Are you?

Wednesday, July 29, 2009

A Glimpse at a Character in My Head

by Marsha Ward

Oops! I never should have brought up the subject of my character Elijah Marshall on my Character blog. He's demanding that I introduce him to you. Since I don't think any of The Zion Trail is on disk anywhere, I'll have to wing it from a typescript. Problem is, I have a couple of differing copies. I guess I'll try the one on top. It's probably the latest revision. Ha! From back in the late 80s! With two spaces after a period! I'll try to restrain my Inner Editor as I type. Here goes: Elijah Marshall in all his imperfect First Person glory.

THE ZION TRAIL
by Marsha Ward
Excerpt from Chapter One

As I made a half-circle at the end of the row, I pulled the horse to a halt, swept off my old hat, and wiped the trickles of sweat from my eyes with the back of my wrist. I ran my fingers through my dripping black hair to train it back from my eyes before I replaced my hat. Settling the shade once again on my head, my eyes caught a movement far up the road to my right. (Yikes! A big woopsie!)

Across the rows of fresh young corn stalks I saw the dust rising slowly into the air as two figures walked along the dry surface of the lane. I knew them for strangers by their dress, for no one in our area wore a black suit except on Sunday, and this was Tuesday.

Curiosity was part of my makeup, so I leaned on the plow a while, watching their progress and wondering about their errand. They saw me, and hopped the ditch to approach the fence as they came alongside my position.

At fifteen, I had reached nearly my full growth, and I wasn't beyond considering myself a man. I did as much as my father on the farm, except for the planning and the worrying, so I wasn't surprised when they hailed me as a man.

"Hello, Brother. Can you give us a drink?" the taller man called, indicating my water bucket under a nearby tree.

I wrapped the lines around the plow handles and strode to the fence. "Plenty, and welcome." I bent to shoo away a drinking yellowjacket, and lifted the pail to the top of the fence.

The taller man drank first, and I saw that he was older by three or four years than the shorter man. As they slaked their thirst, I wondered how long since they had tasted water, for they drank with great gusto, and an air of thankfulness.

Their suits were covered with the fine dust that abounded on our roads, but they seemed not to mind, giving all their thoughts to dipping water down their dusty throats.

While the shorter man drank, the taller one looked at me and smiled. "It's been a long, dusty walk. We're thankful for the water. I am Nathan Caldwell, and my companion is Matthew Long. We are ministers of the gospel, and would welcome the opportunity to preach in your neighborhood."

I stuck out my hand and pumped his. "My name is Elijah Marshal, and my pa will be glad to see you. He's a God-fearing man, and every man of the Lord is welcome in his house." I squinted up at the sun. "It's nearly dinner time. Come and eat with us."

Mr. Long grinned his acceptance as Mr. Caldwell nodded.

"Just follow the road to the first lane on the right," I directed them. "Tell my ma I sent you. I'll be along with the horse by and by."

They waved their thanks as I hauled the bucket off the fence and turned back to the plow. Old Tom still stood where I'd reined him in, flicking flies away with his tail and standing three-legged in the sun. His ears twitched at my approach, and I patted his flank before I unhitched him from the plow.

"Tom, boy, we've got company. Won't that make Ma's eyes dance!"

Wednesday, February 11, 2009

Snowbound!

by Marsha Ward

A couple of days ago when I opened my front door, this is what I saw:



That put me in mind of a scene in my first novel, The Man from Shenandoah:


The weather grew steadily colder as the men continued with the logging. James found his creek, and started cutting logs for a cabin for Ellen. Carl chose the wooded bench with a natural clearing in the center for his home site. An artesian spring rose just below the clearing, which became the headwaters of a little stream that ran to join the creek far below his father's home. Carl had staked out a homestead that took in both sides of the stream and down into the valley. Ida would favor the cabin being surrounded by trees, snugly tucked into the forest.

The walls of both cabins were half way to the top, and the Christmas party was ten days away when the good weather broke in late afternoon. White clouds laden with snow rolled down from the mountain summits. A freezing wind blew from the north, forcing Carl, working alone at the cabin, to pull his gray coat collar up around his chin. He saddled Sherando, headed him south, and told the gray gelding, "Take me to Pa's, boy."

The horse started off into the driven needles of snow. Carl hunched his back against the wind, crossed his arms, and stuck his hands beneath them. After a while, the trail lay through the sheltering trees between his cabin site and Rulon's, but at the end, there was still the meadow to cross.

Carl halted Sherando before he left the trees to let the horse rest. He dismounted and stamped his feet to restore circulation, beating his hands together to warm them.

"Sherando boy, this storm can't last long. I've got to get that cabin built before Christmas." Climbing into the saddle once more, Carl urged the gray into the biting wind. "It's only a quarter mile," he told the animal. "It's mighty cold, but you're tough, Horse."

The moaning wind blew his words away as the icy blast hit them. On every side, Carl could see only swirling white ice crystals. He gave the horse its head, trusting its instinct to reach the cabin.

Sherando moved slowly, fighting the cross wind as he headed west up the meadow. The wind increased and tugged at Carl, almost dislodging him from the horse's back. Ice caked his hair and snow sifted down into his collar. Then they passed the bulk of Rulon's cabin on the right, and Sherando changed direction to cross the creek.

The horse paused at the log bridge spanning the water, and Carl saw that ice was forming at the sides of the stream. He shivered, and urged the tired horse to step onto the bridge.

"Come on, boy," he shouted over the keening of the wind. "Them logs are set solid."

The gray stepped tentatively onto the slippery surface of the logs, then skittered hurriedly across.

"That's a boy," Carl shouted triumphantly.

Snatched by the wind, his voice carried to his father's cabin, and a light shined out into the white yard as the door opened.

James blocked out the light as he came through the door and caught Carl, who was sliding off the gray's back.

James called out, "Clay, grab them reins and take care of the horse. I'll get Carl into the house."

"You're well nigh froze, son." His father helped James assist Carl across the doorsill. "That blow came up mighty sudden. It's a wonder you made it back here."

Carl shivered, then said, "It's my fault I got caught. I want that cabin up so bad, I let the storm take me by surprise."

***

Morning came without a change in the weather, and Clay had to lean heavily against the door to crack loose the ice binding it to the jamb.

"Pa, that storm's still a-blowing, and the snow's piled up next to the door. How am I going to get out to feed the stock?"

"There's always a way for a man to feed his animals." Rod went over to the door. He tugged it open and faced a wall of white. "Fetch me a stick," he told Clay. "Maybe it ain't packed down tight."

Reaching as high as he could through the doorway, he flailed the stick into the snow. "It's still loose. Get some pails, boys."

Rod buttoned on his coat while Clay and Carl brought the buckets. "Clay, keep that second pail until I need it. Carl, you empty the full ones into the washtub."

Rod scooped out a pail full of snow at the top of the doorway and handed it over his shoulder to Clay. Taking the other bucket, he scooped again. Repeating the process until he had a hole big enough to crawl into, Rod then wiggled his way out the door and entered the icy cavern. "Clay, give me that stick again." His voice boomed in the confined space. "We'll see how deep this drift is."

Thrusting the stick into the snow above him, Rod felt a light resistance. He coughed as a load of snow fell into his upturned face. "Get me a longer stick," he commanded, angry at the elements.

Carl handed him Julia's broom, and Rod took it with a jerk. He stabbed it upward and broke through into the howling morning. New snow burst into his cavern, blinding him for a moment. Then he broke loose more of the crusty roof, and packed the snow down on one side to make a ramp to exit the hole. Triumphantly, he pulled himself out into the storm, floundering in the cabin-high drift.

"By gum, Colorado does everything in a big way," he shouted down to his family. "I have never seen a blow like this before."

Of course my door wasn't iced shut, nor does the drift reach the door top, but we do have about two feet of snow in a location where four inches is considered a good snowfall. I can truly better empathize with my characters now.

Wednesday, July 30, 2008

Chatting with my Characters

by Marsha Ward

*Last week, I found out that some characters from my novels were camping out on the Mogollon Rim. Because it was so rainy, I invited them to ride down into the hamlet where I live and take advantage of the empty mobile home I own, as a much drier sleeping arrangement. They agreed, and the first problem I had was finding a place to put up the horses for the night. After I made a few telephone calls, a neighbor let the men stake out their animals in her orchard. I ferried saddles and gear and men back to the trailer, and introduced them further into the 21st Century.

ME: Here we are. Let me unlock the door and show you around.

CLAY OWEN: The door's made of glass?

ME: It's called an Arcadia door, and it slides open.

(RULON OWEN affectionately ruffles his younger brother's hair): Keep your mouth shut, little brother, or you'll collect a heap of flies. I 'spect that won't be the only wonder you're gonna see.

ME: A lot of things will seem strange. You've leaped past quite a few years.

CARL OWEN: That's so, ma'am. After we passed under the rainbow, we noticed a passel of oddments, like that vehicle you use. We saw some like yours, and others with an open bed in the back.

ME: Mine is called an automobile. Or a car. It's for getting people around, like a buggy or a coach. Those others you saw are trucks. They're best for carrying gear or goods. (I pause and look at my characters standing around the living room, dripping on the rug.) It's odd to hear you call me "ma'am."

RULON: We took a vote, ma'am. We know you're by way of being our "mother," but it don't seem fittin' to call you "Ma." We have a fine ma already. Well, you know that. You made her up.

ME: Yes, years ago. (I gesture around.) This is called a living room. Sort of a parlor. That's the kitchen, but the stove is very different than any you've seen. I'll show you how to work it later. (I shepherd them through the house.) This is the bathroom. It's more than an indoor privy. It's also a washroom. (I turn the faucet on, then off.) You wash your hands here. This tap turns on the cold water, and this one is for hot.

CARL: Hot water?

ME: Yes, there are taps like these in the kitchen, too. I have sort of a boiler outside that heats up the water. Then it's piped in to the taps. (I turn around and indicate the bathtub.) No buckets here, folks. Hot water on tap for your baths.

(CARL bumps Clay's arm): You're overdue.

CLAY (bumping back): Rulon's the oldest. He always says he gets the tub first.

ME: Um, you don't all need to use the same water. See this little hole? And this lever? (I work the lever.) The water goes down into a big pipe that takes it away down yonder. When each of you is finished, you can drain your water and the next man can start fresh. Or you can bathe in the waterfall.

CARL: Out on the creek?

ME: It's an indoor waterfall. (I demonstrate the shower, and the men make appropriate sounds of disbelief.) We call it a shower.

RULON: All these things are miracles to us, ma'am. What's this white chair for?

ME: That's the privy part. (I lift the lid.) We call it a toilet. You answer Nature's call here, then flush it away with this lever. If you're not going to sit, lift the seat and (I feel my cheeks beginning to burn) aim low. Here's the toilet paper.

(CLAY stoops over to examine it): It's a whole roll of soft paper, Rule. (He tugs, and TP unrolls onto the floor.) Oh, sorry, ma'am!

ME (laughing): Just wind it back up, Clay. It comes apart when you need to use it for cleaning up after yourself.

CLAY: Comes apart?

ME: Look at it. It's perforated into squares. Perforated means not quite cut apart. You hold here and pull here, and there you have a square or two. (I hold up two sections of TP.)

(CLAY's face is still red as he winds the TP back on the holder): Thanks for the instruction, ma'am.

ME (looking after RULON and CARL, who have wandered on into the bedroom): It's small, but it's cozy.

RULON: Ma'am, I reckon we all can sleep in that there bed.

ME: I thought you could spread your bedrolls out in the Arizona room, but if you prefer . . .

CARL: We're used to the ground, ma'am, but a bed! We ain't seen such a nice puffy one before.

ME: The house is yours until you need to go back. Do what you want. Except, I really am uncomfortable being called "ma'am." I understand your feelings about not calling me "Ma." You can keep that for Julia. How about calling me "Mom"?

RULON (tries it out): Mom. Mom. What's it mean . . . Mom?

ME: It's short for Mommy! I guess that's not a Southern form of address.

CARL: We use Mama and Ma, or Meemah, ma'am--Mom.

CLAY: I like it.

ME: It's better than calling me "Marsha."

RULON (nods): Yes ma'am, that's not fittin', ma'am, I mean, Mom.

ME: Let's go see the Arizona Room.

CLAY: Why's it called that?

ME: I believe it's because of all the glass to let the sunshine in. Folks think Arizona is hot everywhere, but that's not true. Up here in the forest, the sunlight is welcome.

CARL (looking around): Where's the fireplace, Mom? We can't build a campfire on this purty rug.

ME: You won't need a fire. You'll be warm here.

CARL: We need to cook our supper.

ME: I'll show you how to operate the stove. (We go back into the kitchen and I turn a knob.) This fire comes from piped-in gas. You can make the fire hotter by turning the knob a bit more. Just make sure you turn it off when you've finished cooking!

RULON: Much obliged, ma--Mom. This is surely a wonder!

ME: It is. Modern conveniences have come a long way since your era. (I look around.) I think that's all you need to know for now. There are clean towels in the cupboard in the bathroom. Get cleaned up and I'll wait for you in the parlor.

TO BE CONTINUED

*This is a work of fiction. I don't really talk to time-traveling characters from my novels. I do like them a lot, though, and am glad they passed under the rainbow to visit me in my own place and time. To order my novels, The Man from Shenandoah and Ride to Raton, visit my website at marshaward.com.